Before you know what kindness really is,
you must lose things​
Come through Grand Central Station,
put the violin down on the little shelf,
pay the fare for Briarcliff
at the booth,
count your money,
clench the ticket in your hand
run for the train, track 11, make it just in time,
find a seat, look out the window
take in the chug, the whistle,
​
You don’t realize for 15 minutes
why it was so easy to run to track 11,
but then you do
because the violin, which slows you down, is still on the shelf
at the ticket booth, not slowing you down,
and you here, hurtling away
in 2 million pounds of metal
away from the violin
away from music, responsibility, and grandma’s one gift to you
​
It all comes clear: violin, loyalty, hard work,
on the train of no resistance. You take the next exit.
​
You send up a prayer to the God of lost things,
people, souls, promises,
health, release for the captives, and yes, the violin.
You ask for restoration, protection, all of it.
You board the next train, back the other way,
send a silver shield,
St. Anthony, Artemis, all the protectors
​
At Grand Central, on the little shelf
the violin waits for you, its battered case intact, rose/brick dust all on it still
you pat the neck of the thing,
your gratitude has no word, before you know what kindness is
you must lose things
you head back for track 11
wait your hour, catch the later train
​
You will get to Grandma’s station in Briarcliff, walk to her house,
set yourself up with a music stand
start to play the Bach D minor.
She will listen.
You will never mention this violin’s little vacation on the train station shelf,
because Grandma said never to put it down.
You will never put it down again.
​
Meanwhile, the Bach rings sad and true in the musty parts of her old house.
​
This you know. You could lose the one thing your Grandma gave you
you could lose your hand to injury
you could lose your self-respect when you drink too much with the governor’s son
​
But you never want to carry so many things
that you don’t know what you are meant to hold onto
​
And when the run seems too easy, turn back, and see what else waits
like Grandma’s old violin,
like dignity, like being awake,
like the memory of what kindness is
on a 2 million pound train
Cynthia August
Ode to the Northeast Corridor
Cyanotype
~ Rebel Brown
Meet the Creators
Rebel Brown
Rebel Brown is a poet, nature writer, musician.
Cynthia August
Cynthia is a commercial and fine art portrait photographer. She is known for her 'magic realism' - style portraits that are created in camera, in the moment, and feature costumes and props she often makes herself. She works out of her studio in the Tyler Building in Ipswich but can often be seen in the woods or the ocean with her camera.
She is also the founder and current president of the Ipswich Art Association, Chair of the Ipswich Cultural Council, and a long time member of the North Shore Creative Collective. In 2023 she was selected for the Essex County Creative Foundation's ChangeMaker Program, a yearly cohort dedicated to advancing the creative potential of Essex County by building a strong arts and culture ecosystem. She believes strongly in the power of art to connect and build community. You can follow her on instagram @the_light_in_august