Darcy Scanlon Moulton
Cold Days 1
Charcoal
Salt Hay
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He pushed against the horse’s rump to give himself more room in the stall. She grudgingly moved over a few inches. “This’ll make it feel better,” he said and rubbed pine tar into the deep cuts that had been torn into her hide by a whip.
He’d fired the farmhand on the spot. Everyone knew after a horse got stuck, you couldn’t force them to walk on the marsh. And she’d gotten good and stuck – all four hooves – her body straining and pulling against the deep mire, head tossing wildly, her whinnies merging into a scream. No whip could force her to trod that wetland again, only time.
The problem was he still had towering piles of salt hay to transport, but being down both a horse and a man, he’d need to hire a gundalow to get it done and with temperatures plummeting, boats were scarce. Or he could wait until the ground was frozen and hope his horse would be ready to go back in a few weeks.
He’d be out there himself; almost all his days were spent on the marsh. He’d only left home once, when as a young man, he’d bucked against farming and his father found him a position weighing hay at Boston’s Haymarket Square. All summer long, the smells of rotting fish and sewage clogged his nostrils until the day a strong wind blew through and left behind a fresh ocean tang. Oh, the homesickness! He dug his hand into the nearest stack of salt hay, pulled out a long blade, and stuck it in his mouth – briny and green, the taste of the marsh, a flavor that seeped into the cow’s milk if you fed them too much of it. Sucking on the blade, he made plans to go home.
The brine ran in his blood now, and he was sure it ran in his horse’s too. He stroked her neck until she was calm. Little pools of dust rose from the packed earth floor as he walked out of the stall, picked up a pitchfork, and tossed a forkful of salt hay into her rack. “Here girl,” he said. “This’ll get you back on the marsh.”
~ Sonia Nieuwejaar
Meet the Creators
Darcy Scalon Moulton
I am an artist working and living in Ipswich, Massachusetts. My work explores humanity’s isolation and spiritual disparity from nature in the modern world. I use emotive contemporary landscapes and dark single subject realism of flora and fauna, drawing on their innate ghostliness with monochromatic and limited palettes.My practice currently revolves around the use of charcoals and pastels on recycled and hand made papers which begins messy and rough, then painstakingly layers into delicate and refined imagery. I hope to inspire a yearning for connections to the natural world and a sense of human responsibility to our ecosystem that we so readily dismiss and manipulate to our own advantage.
Sonia Nieuwejaar
Sonja grew up in Gilmanton, N.H., picking blueberries and riding horses. After college, she took a detour to Washington D.C., and worked for FEMA, USAID, and the World Bank. During that time, she also married a Marine, had two kids, and moved seven times, with the last nine years being in Europe. She and her family have finally (hopefully!) settled down in Ipswich. In the fall, Sonja will be attending the MFA Creative Writing program at UMass Boston.